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Last ned noter og partiturer:
In Passing

Noter (PDF)
Original: Complete Score. Ships that Pass in the Night. Scores. Foote, Arthur.

Oversettelse: Skip som passerer i natt. Poeng.

Noter (PDF)
Original: Color Cover. In Passing Moods. Scores. MacDowell, Edward.

Oversettelse: I forbifarten Moods. Poeng.

Noter (PDF)
Original: Complete Score. In Passing Moods. Scores. MacDowell, Edward.

Oversettelse: I forbifarten Moods. Poeng.

Noter
Original: Im Vorübergehn Op. 81 No. 1. In passing by. Carl Loewe. A cappella. Secular , Partsong. Language. German. SATB.

Oversettelse: Sekulære, Partsong. Språk. Tyske.

Noter (Scorch)
Original: Pass the Baton. Clarinet 1 in Bb. Clarinet in Bb 2. Horn in F. Trumpet in Bb. full orchestra version.

Oversettelse: Passere Baton. Steven Griffin. Orkester. Fagott. Klarinett 1 i Bb. Klarinett i Bb 2. Crash Cymbaler. Triangle. Double Bass.

Noter (Scorch)
Original: FREE. As Down in the Meadows I Chanced to Pass. Horn in F. Horn in F. Horn in F. Horn in F.

Oversettelse: GRATIS. Horn Quartet. Stephen Lines. Messingkvartett. Stephen Lines. Horn i F. Horn i F. Horn i F. Horn i F.

Noter (PDF)
Original: stumpf, werner. Passing by - Promenade - BLUES in A - piano - Klavier -. stumpf, werner. Piano solo. STUMPF Werner Publisher.

Oversettelse: kjedelig, werner. passing by - Promenade - in A - piano -. kjedelig, werner. Stumpf, Werner Forlag. Stumpf, Werner Dato.

Noter
Original: Thugs Passing In The Night "In Bruges". Bassoon. Flute. Piano.

Oversettelse: Fagott. Fløyte. Plan.

Noter (PDF)
Original: Violin, Basso. fragments - uncertain where these fit in. Soliman den Anden. Parts. Sarti, Giuseppe.

Oversettelse: Fiolin, Basso. fragmenter - usikker på hvor disse passer i. Deler.

Noter
Original: How stands the glass around. But the legend relies on an inexact reading of the description in Krifft's "Siege of Québec, a sonata".

Oversettelse: The song appears first in a ballad opera of 1729 called "The Patron". Anonym. A cappella. Sekulære, Partsong. Språk. Norsk. ATB.

Noter
Original: Ave Maria. This Ave Maria is composed in a neo-Renaissance style, with a rather symmetric musical structure. Charles H. Giffen. SATB.

Oversettelse: A cappella. Hellig, Motet. Språk. Latin. 16 October 2011.

Noter
Original: Ye that pass by, behold the man. W. J. White. A cappella. Sacred , Hymn. Language. English. SATB. Hart & Fellows.

Oversettelse: W. J. Hvit. Hellig, Hymn. Språk. Norsk. This tune was published on p56 of W. J. White's book The Sacred Herald , London. c1820.

Noter
Original: Miserere nostri. Meanwhile, however, a different and less audible canon is in progress between four of the five lower voices.

Oversettelse: Miserere vår. Pitch in 16th century England was likely very high and this key is probably closer to the actual performance pitch.

Noter
Original: Echo. In this piece, the synthesizer fulfils multiple musical elements that are often not present and.

Oversettelse: or difficult to achieve in many choral settings, especially middle schools and smaller high schools.

Noter
Original: We sing of the lands. Renaissance composers showed us that a choral lament can be rich in. Peter Bird. A cappella. Secular , Lament.

Oversettelse: as unaccented passing tones or as prepared suspensions. Sekulære, Lament. Språk. Norsk. SSAATB.

Noter
Original: I shall not pass this way again. only appear in the opening and coda. Mark Chapman. A cappella. Secular , Partsong. Language.

Oversettelse: Sekulære, Partsong. Språk. Norsk. SATB pluss S solo. Solister. who can be drawn from the choir.

Noter
Original: Sleep, Little Jesus, Sleep. The only overlap in text between the poem and this piece is the title. Mark Liversidge. A cappella. SATB.

Oversettelse: 18, which describes the coming to pass of Jeremiah's prophecy. Sacred , Anthem suitable for Epiphany. Språk. Norsk.

Noter
Original: Se tu m'ami, se sospiri. The pieces in that collection were sometimes set with less than historically accurate accompaniments. Piano.

Oversettelse: In this case, even the song is a modern fabrication, apparently written by Parisotti and passed off as a song by Pergolesi.

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