Noter $26.82
Original
Ernesto Nazareth Guitar Solo Anthology. Sheet Music. Guitar. GTR.
Oversettelse
Ernesto Nazareth Guitar Solo Anthology. Noter. Guitar. GTR.
Original
A collection of 28 Ernesto Nazareth compositions expertly transcribed for classic guitar solo. One of the major difficulties in trying to arrange Ernesto Nazareth’s themes for any instrument, but the piano, is to separate the melodic line from its accompaniment. both are so closely together. that is one of the strongest characteristics of his pianistic style of composition. that it becomes almost impossible to treat one of the features disregarding the other. If one did that the result would be only a pale and incomplete portrait of what was intended by the composer. That thought has guided us in the making of this book. In spite of the huge obstacles that resulted from the transposition of a piece originally written for the piano – a very rich instrument regarding the expressive recourses – to the more "modest" guitar, we always kept in mind our principal intention. to preserve at the most all the melodic dialogues of the scores, in special the ones between the melody and the bass line, both the elements that form the soul of Nazareth’s compositions. We obviously had to do some changes. Thus, for instance, in some arrangements it was necessary to transpose the original key to a more appropriate one. at the guitar view-point, of course. Some phrases or fragments had also to be written an octave higher or lower. that can be perfectly understandable if we consider the very wide melodic range of the piano and the extensive way with which Nazareth uses it. Needless to say that all those recourses were used only when it has been strictly necessary. Despite the fact that those 28 pieces are only a little portion of Nazareth’s work, this group of arrangements represents a good and representative panel. Among them there are some of Nazareth’s greatest hits. "Apanhei-te Cavaquinho", "Odeon", "Brejeiro", "Ameno Resedá", etc. as well as other not so known compositions– but no less beautiful and important. Listening to those pieces one can observe the compositional talent of Nazareth and his incredible harmonic, melodic and – specially – rhythmic versatility. Each of them has its own and unmistakable personality. The most part of the scores of this book – as well as in Nazarethian repertoire – is composed by tangos brasileiros. , Brazilian tangos. , but there are also some polcas and some of his most expressive valsas, like "Confidências" and "Coração que Sente".
Oversettelse
En samling av 28 Ernesto Nazareth komposisjoner fagmessig transkribert for klassisk gitarsolo. One of the major difficulties in trying to arrange Ernesto Nazareth’s themes for any instrument, but the piano, is to separate the melodic line from its accompaniment. begge er så tett sammen. som er en av de sterkeste egenskapene til sin pianistisk komposisjonsstil. at det blir nesten umulig å behandle en av funksjonene ser bort fra den annen. If one did that the result would be only a pale and incomplete portrait of what was intended by the composer. Den tanken har guidet oss i å lage denne boken. In spite of the huge obstacles that resulted from the transposition of a piece originally written for the piano – a very rich instrument regarding the expressive recourses – to the more "modest" guitar, we always kept in mind our principal intention. to preserve at the most all the melodic dialogues of the scores, in special the ones between the melody and the bass line, both the elements that form the soul of Nazareth’s compositions. Vi åpenbart måtte gjøre noen endringer. Således, for eksempel, i enkelte arrangementer var det nødvendig å transponere den originale nøkkelen til en mer hensiktsmessig ett. på gitaren vis punkt, selvfølgelig. Noen setninger eller fragmenter hadde også til å bli skrevet en oktav høyere eller lavere. som kan være helt forståelig hvis vi anser det svært bredt melodisk utvalg av piano og omfattende måte som Nazareth bruker det. Unødvendig å si at alle disse resurser ble bare brukt når det har vært strengt nødvendig. Despite the fact that those 28 pieces are only a little portion of Nazareth’s work, this group of arrangements represents a good and representative panel. Among them there are some of Nazareth’s greatest hits. "Apanhei-te Cavaquinho", "Odeon", "Brejeiro", "Ameno Resedá", etc. as well as other not so known compositions– but no less beautiful and important. Listening to those pieces one can observe the compositional talent of Nazareth and his incredible harmonic, melodic and – specially – rhythmic versatility. Hver av dem har sin egen og umiskjennelig personlighet. The most part of the scores of this book – as well as in Nazarethian repertoire – is composed by tangos brasileiros. , Brasilianske tangoer. , but there are also some polcas and some of his most expressive valsas, like "Confidências" and "Coração que Sente".
