Noter $12.55

Original

Lili Boulanger. Deux Morceaux Pour Violin Et Piano. Sheet Music. Violin, Piano. VLN. PFA. Lili Boulanger. --.

Oversettelse

Lili Boulanger. To Pieces for fiolin og klaver. Noter. Fiolin, piano. VLN. PFA. Lili Boulanger. --.

Original

Lili Boulanger was the sister of the famous teacher Nadia Boulanger who taught Aaron Copland, Elliott Carter and Philip Glass amongst others. She was a composer for the last 10 years of her tragically short life - she died at 25 - and her music stands in the main line of French music exemplified by Faure, somewhat tinged with the influence of Debussy's Impressionism. It is generally beautiful, delicately coloured, and touching. These challenging 'Two Pieces for Violin and Piano' exemplify these qualities. The Nocturne begins sparsely, with bare octave figures wound about with a theme built from a repetitive rise-and-fall figure. As the texture become thicker the violin becomes more virtuosic and begins to climb. There is no harmonic resolution until the final ppp note in the top register, which is answered by an low octave from the piano. The Cortege is more lively without being fast. Shifting rhythmic accents, tricky runs and contrasting dynamics make this an exciting piece.

Oversettelse

Lili Boulanger var søster av den berømte læreren Nadia Boulanger som lærte Aaron Copland, Elliott Carter og Philip Glass bl.a.. Hun var en komponist for de siste 10 årene av sitt tragisk korte liv - hun døde ved 25 - og musikken hennes står i hovedlinjen av fransk musikk eksemplifisert ved Faure, noe farget med påvirkning av Debussys impresjonisme. Det er generelt vakker, delikat farget, og rørende. These challenging 'Two Pieces for Violin and Piano' exemplify these qualities. The Nocturne begins sparsely, with bare octave figures wound about with a theme built from a repetitive rise-and-fall figure. As the texture become thicker the violin becomes more virtuosic and begins to climb. There is no harmonic resolution until the final ppp note in the top register, which is answered by an low octave from the piano. Kortesjen er mer livlig uten å være rask. Skiftende rytmiske aksenter, vanskelige løyper og dynamiske kontraster gjør dette til et spennende stykke.