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Original

Air from Ancient Ireland. Grade 3.

Oversettelse

Luft fra Ancient Irland. Grad 3.

Original

Air from Ancient Ireland composed by Clifton Jameson Jones. For concert band. Grade 3. Full score only. Duration 6 minutes, 21 seconds. Published by TRN Music Publisher. TU.FSAIR5. Air From Ancient Ireland is a setting for symphonic band of an Irish melody now known as 'St. Columba. ' The melody is often heard in the hymn 'The King of Love My Shepherd Is.' The tune's origin in Ireland seems to be unknown. it is one of numerous Irish tunes collected by Dr. George Petrie in the 1800's. Charles Villers Stanfords, the imminent Irish composer and professor of music at Cambridge University, edited the 1903 edition of Petrie's complete collection of Irish melodies, and it is simply listed as melody #1043, "an Irish hymn sung at the dedication of a chapel, county Londonderry. " It is a beautiful melody like 'Slane' or 'Londonderry Air,' but not heard as often. This setting of 'St. Columba' is more or less a set of free variations on the tune. The architecture of the piece is fairly symmetrical. it begins in E-flat and goes as far as 'a minor' before eventually returning to E-flat.

Oversettelse

Luft fra Ancient Irland komponert av Clifton Jameson Jones. For korps. Grad 3. Full score bare. Varighet 6 minutter, 21 sekunder. Publisert av TRN Music Publisher. TU.FSAIR5. Air Fra Ancient Irland er en innstilling for symfonisk band av en irsk melodi nå kjent som "St. Columba. 'Melodien er ofte hørt i salmen «The King of Love My Shepherd Is.' Låten opprinnelse i Irland synes å være ukjent. det er en av mange irske låter samlet inn av Dr. George Petrie i 1800. Чарльз Вилер Stanfords, неизбежно ирландский композитор и профессор музыки Кембриджского университета, редактировал издание полного собрания Петри ирландских мелодий 1903, и это просто перечисляются, как мелодия. "Det er en vakker melodi som" Slane 'eller' Londonderry Air ", men ikke hørt så ofte. Denne innstillingen av "St. Columba 'er mer eller mindre et sett av gratis variasjoner på tune. Arkitekturen i stykket er ganske symmetrisk. det begynner i E-flat og går så langt som «en mindre 'før slutt tilbake til E-flat.