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Noter $75.00

Original

Sleep. Benny Carter. Guitar sheet music. B-Flat Trumpet sheet music. Drums sheet music. Percussion sheet music. Piano sheet music. Trombone sheet music. Advanced.

Oversettelse

Sleep. Benny Carter. Gitar noter. B-Flat trompet noter. Trommer noter. Perkusjon noter. Piano noter. Trombone noter. Avansert.

Original

Sleep by Benny Carter. Edited by Jeffrey Sultanof. Arranged by Benny Carter. For big band. Solo Alto Saxophone, 2 Alto Saxophones, 2 Tenor Saxophones, Baritone Saxophone, 4 Trumpets, 4 Trombones, Guitar, Piano, Bass, Drums. Swing. Advanced. Score and parts. Published by Jazz Lines Publications. JL.JLP-8463. Background. In 1940, Benny Carter was acknowledged by the music press to be one of the leading lights on the American big band scene. Several bandleaders had his music in their books, and Benny led his own big band, touring and making records. Unfortunately, Carters band never really caught on despite the fine music it played, partly because it did not have a hit record, but also because Carter himself was not a flashy soloist such as Harry James and Jimmy Dorsey. Carter played and soloed on alto saxophone and trumpet. That did not mean that he wasn't an excellent soloist. he most certainly was, but he was appreciated more by musicians than the public at large. The Music. Sleep. composed and published in 1923 by Earl Lebieg. was then known as the theme for Fred Waring and his Pennsylvanians. Waring began as a bandleader and eventually formed the top choral organization in the United States, with his own radio. and later television. show. Waring was almost totally responsible for the school choral movement beginning in the late forties. He continued to tour, record and give choral workshops until his death in 1984. Sleep was composed as a waltz, but in Carters hands, it becomes an ensemble tour-de-force. In our opinion, it is not only a masterpiece, but is one of the finest arrangements of a song in the history of the big bands. Carter transforms Sleep into a challenging and exciting presentation that really puts a band through its paces. In 1972, Carter updated and slightly simplified the original arrangement for an all-star ensemble performance at the Newport Jazz Festival in New York. This became the official version of the arrangement, and Carter would play it with students and professionals all over the world. It is the only one authorized by the Carter estate. Notes to the Conductor. During the mid 1940s, Carters band performed this arrangement at such a blisteringly fast tempo that the band could just barely play the figures properly. Carters biographer and close friend Ed Berger asked him about these performances when he was preparing the two-volume bio-discography of Carter. Scarecrow Press. How did the tempo get so fast. Benny was surprised upon hearing airchecks many years after the fact, and gave the comment. Maybe it was the war. This setting makes an equally effective opener or closer or a terrific festival piece. The sound sample is courtesy of the Empire Jazz Orchestra.

Oversettelse

Sleep av Benny Carter. Redigert av Jeffrey Sultanof. Arrangert av Benny Carter. For storband. Solo Altsaksofon, to Alto saksofon, 2 Tenor saksofon, baryton saksofon, fire trompeter, fire tromboner, gitar, piano, bass, trommer. Swing. Avansert. Resultat og deler. Publisert av Jazz Lines Publikasjoner. JL.JLP-8463. Bakgrunn. I 1940, ble Benny Carter anerkjent av musikkpressen for å være en av de ledende lysene på den amerikanske storband scene. Flere orkesterledere hadde musikken hans i bøkene sine, og Benny ledet sitt eget storband, touring og lage poster. Dessverre, Carters bandet aldri virkelig fanget på tross av fin musikk det spilles, blant annet fordi det ikke har en hit posten, men også fordi Carter selv var ikke et prangende solist som Harry James og Jimmy Dorsey. Carter spilte og soloed på altsaksofon og trompet. Det betydde ikke at han ikke var en utmerket solist. han absolutt var, men han ble verdsatt mer av musikere enn omverdenen. The Music. Sleep. komponert og utgitt i 1923 av Earl Lebieg. ble da kjent som tema for Fred Waring og hans pennsylvanians. Waring begynte som en bandleder og til slutt dannet toppen kor organisasjonen i USA, med sin egen radio. og senere TV. vis. Waring var nesten helt ansvarlig for skolens kor bevegelsen begynnelsen på slutten av førtiårene. Han fortsatte å turnere, spille inn og gi kor-workshops til sin død i 1984. Søvn ble komponert som en vals, men i Carters hender, blir det et ensemble tour-de-force. Etter vår mening, er det ikke bare et mesterverk, men er en av de fineste arrangementer av en sang i historien av de store bandene. Carter forvandler Sleep til en utfordrende og spennende presentasjon som virkelig setter et band gjennom sine skritt. I 1972, Carter oppdatert og litt forenklet opprinnelige ordningen for en all-star ensemble-opptreden på Newport Jazz Festival i New York. Dette ble den offisielle versjonen av ordningen, og Carter ville spille det med studenter og fagfolk over hele verden. Det er den eneste autorisert av Carter eiendom. Noter til Leder. I løpet av midten av 1940-tallet, fremført Carters bandet denne ordningen på en så spennende og farts tempo at bandet bare kunne knapt spille tallene riktig. Carters biograf og nær venn Ed Berger spurte ham om disse forestillingene da han forberedte tobindsverket bio-diskografi av Carter. Scarecrow Press. Hvordan ble tempoet blir så fort. Benny ble overrasket da han hørte airchecks mange år etter det faktum, og ga kommentaren. Kanskje var det krigen. Denne innstillingen gjør en like effektiv døråpner eller nærmere eller en veldig bra festival stykke. Lyden prøven er courtesy of Empire Jazz Orchestra.