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Noter $53.95

Original

String Quartet A major 1856. 28'. Emilie Mayer. Cello sheet music. Viola sheet music. Violin sheet music. Intermediate.

Oversettelse

String Quartet En stor 1856. 28 '. Emilie Mayer. Cello noter. Viola noter. Fiolin noter. Intermediate.

Original

String Quartet A major 1856. 28'. composed by Emilie Mayer. 1821-1883. Edited by Heinz-Mathias Neuwirth. For string quartet. 2 violins, viola, cell. Sound Research of Women Composers. Music of the Romantic R 23. 19th century, Romantic. Medium. Score and parts. Published by Furore Verlag. FV.FUE-10058. ISBN 979-0-50182-058-0. 19th century, Romantic. First publication. The first movement. Allegro, 4. 4 time. is distinguished by a clear recurring structure characterized by a differentiation in compositional technique and tonal detail. The "energetic. lyrical" contrast manifests itself in a sequence of contrasting episodes â“ both within and outside the themes. In its technical development the first movement is modelled on the first movement of Beethoven's String Quartet op. 18. Besides thematic, harmonic and figural echoes and similarities such as the time signature and the use of characteristic accentuation, the reduction of the movement's motifs to one central theme is of particular note.

Oversettelse

String Quartet En stor 1856. 28 '. composed by Emilie Mayer. 1821-1883. Redigert av Heinz-Mathias Neuwirth. For strykekvartett. 2 violins, viola, cell. Sound Forskning of Women Composers. Music of the Romantic R 23. 19. århundre, Romantisk. Medium. Resultat og deler. Publisert av Furore Verlag. FV.FUE-10058. ISBN 979-0-50182-058-0. 19. århundre, Romantisk. Første publikasjonen. Den første bevegelsen. Allegro, 4. 4 gang. is distinguished by a clear recurring structure characterized by a differentiation in compositional technique and tonal detail. The "energetic. lyrical" contrast manifests itself in a sequence of contrasting episodes â“ both within and outside the themes. In its technical development the first movement is modelled on the first movement of Beethoven's String Quartet op. 18. Besides thematic, harmonic and figural echoes and similarities such as the time signature and the use of characteristic accentuation, the reduction of the movement's motifs to one central theme is of particular note.