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Noter $65.00

Original

Good Bait. Guitar sheet music. B-Flat Trumpet sheet music. Drums sheet music. Percussion sheet music. Piano sheet music. Trombone sheet music. Advanced.

Oversettelse

Good Bait. Gitar noter. B-Flat trompet noter. Trommer noter. Perkusjon noter. Piano noter. Trombone noter. Avansert.

Original

Good Bait edited by Jeffrey Sultanof. Arranged by Tadd Dameron. For big band. 2 Alto Saxophones, 2 Tenor Saxophones, Baritone Saxophone, 4 Trumpets, 4 Trombones, Guitar, Piano, Bass, Drums. Swing. Medium Difficult. Score and parts. Published by Jazz Lines Publications. JL.JLP-8493. From the notes by Jeffrey Sultanof. Background. Tadd Dameron was one of the most influential composer. arrangers in American music. Born in 1917, he wrote for bands led by Jimmie Lunceford, Count Basie, Billy Eckstine. many original compositions later performed by the Dizzy Gillespie Orchestra were originally written for Eckstine. , Ted Heath and Tommy Dorsey. He also arranged for Sarah Vaughan, Pearl Bailey and the underrated Kay Penton. Dameron led various groups for live gigs and recordings, and the musicians he played with constituted a who's who of jazz. At one time or another his ensembles included Fats Navarro, Freddie Webster, Charlie Rouse, Kenny Clarke, Kai Winding, Wardell Gray, J.J. Johnson, Dexter Gordon, Miles Davis, Kenny Dorham, John Coltrane and Clifford Brown. Unfortunately Dameron was institutionalized in Kentucky for drug possession from 1958 through 1961. While still in prison, he contributed several arrangements to a Blue Mitchell album on Riverside Records, and when he was released, Riverside wanted him to make an album of his own. The Magic Touch was the result, and this resulted in various composing and arranging assignments, most notably for Benny Goodman, who commissioned several scores from Dameron for his 1962 big band that made an historic tour of the Soviet Union. The Music. Good Bait had originally been written for Count Basie, and was copyrighted in 1944. Dameron also arranged the tune for the Billy Eckstine Orchestra, and when that ensemble folded, Dizzy Gillespie added the setting to his book, playing it frequently. Basie began playing it in 1948 after Gillespie popularized it. In 1962, publisher Bregman, Vocco &Conn asked Dameron to arrange this for big band publication, as well as other titles that he'd composed over the years that they owned. This version of Good Bait includes the unison brass line after the instrumental solos. All of the BVC publications had numerous errors in pitch, rhythm and transposition. This publication of Good Bait has been newly edited and corrected. Notes to the Conductor. Even though the Gillespie RCA Victor performance is well-known, in my opinion it is a little fast, perhaps the natural result of playing the piece very often and wanting to make it more exciting. If you can find it, the 1948 Salle Pleyel concert recording has an excellent tempo. Good Bait should sound relaxed, with careful attention to dynamics. There are several soft dissonances in the writing, and I assure the band director that the notes have been double-checked for accuracy. Acknowledgements. We wish to thank Mia Dameron and Don Sickler for their support of our Tadd Dameron series of arrangements. Ranges. Trumpet 1 to C6 Trombone 1 to Bb 5.

Oversettelse

Good Bait redigert av Jeffrey Sultanof. Arrangert av Tadd Dameron. For storband. 2 Alto saksofon, 2 Tenor saksofon, baryton saksofon, fire trompeter, fire tromboner, gitar, piano, bass, trommer. Swing. Middels Vanskelig. Resultat og deler. Publisert av Jazz Lines Publikasjoner. JL.JLP-8493. Fra notater etter Jeffrey Sultanof. Bakgrunn. Tadd Dameron var en av de mest innflytelsesrike komponist. arrangers i amerikansk musikk. Født i 1917, skrev han for band ledet av Jimmie Lunceford, Count Basie, Billy Eckstine. mange originalkomposisjoner senere utført av Dizzy Gillespie Orchestra ble opprinnelig skrevet for Eckstine. , Ted Heath og Tommy Dorsey. Han har også arrangert for Sarah Vaughan, Pearl Bailey og underrated Kay Penton. Dameron ledet ulike grupper for live-konserter og plateinnspillinger, og musikerne han spilte med utgjorde en som er hvem av jazz. På et eller annet tidspunkt hans ensembler inkludert Fats Navarro, Freddie Webster, Charlie Rouse, Kenny Clarke, Kai Winding, Wardell Gray, JJ Johnson, Dexter Gordon, Miles Davis, Kenny Dorham, John Coltrane og Clifford Brown. Dessverre Dameron ble institusjonalisert i Kentucky for besittelse av narkotika fra 1958 gjennom 1961. Mens han var i fengsel, bidro han flere ordninger til en Blue Mitchell album på Riverside Records, og da han ble løslatt, ville at han skulle lage et album av sin egen Riverside. The Magic Touch ble resultatet, og dette resulterte i ulike komponering og arrangering oppgaver, særlig for Benny Goodman, som bestilt flere score fra Dameron for hans 1962 storband som gjorde en historisk turne i Sovjetunionen. The Music. Good Bait hadde opprinnelig blitt skrevet for Count Basie, og ble opphavsrettsbeskyttet i 1944. Dameron også arrangert melodi for Billy Eckstine Orchestra, og når som ensemble foldet, Dizzy Gillespie lagt innstillingen til sin bok, spille det ofte. Basie begynte å spille det i 1948 etter at Gillespie popularisert det. I 1962, utgiver Bregman, Vocco. Denne versjonen av Good Bait omfatter unison messing linje etter instrumentalsoloer. Alle de BVC publikasjoner hadde mange feil i tonehøyde, rytme og transponering. Denne publikasjonen fra Good Bait har nylig blitt redigert og korrigert. Noter til Leder. Selv om Gillespie RCA Victor ytelse er velkjent, etter min mening er det litt fort, kanskje et naturlig resultat av å spille stykket veldig ofte og som ønsker å gjøre det mer spennende. Hvis du finner den, har 1948 Salle Pleyel konsertopptak en utmerket tempo. Good Bait bør høres avslappet, med nøye hensyn til dynamikk. Det er flere myke dissonanser i skriveprosessen, og jeg forsikrer bandet regissøren at sedlene har blitt dobbeltsjekket for nøyaktighet. Takk. Vi ønsker å takke Mia Dameron og Don Sickler for deres støtte i vår Tadd Dameron rekke ordninger. Ranges. Trompet 1 til C6 Trombone 1 til Bb 5.