Noter $65.00

Original

Air Mail Special. Benny Goodman. Guitar sheet music. B-Flat Trumpet sheet music. Clarinet Solo sheet music. Drums sheet music. Percussion sheet music. Piano sheet music. Trombone sheet music. Advanced.

Oversettelse

Air Mail Special. Benny Goodman. Gitar noter. B-Flat trompet noter. Clarinet Solo noter. Trommer noter. Perkusjon noter. Piano noter. Trombone noter. Avansert.

Original

Air Mail Special by Benny Goodman. Edited by Jeffrey Sultanof. Arranged by Jimmy Mundy. For big band. Solo Clarinet, 2 Alto Saxophones, 2 Tenor Saxophones, Baritone Saxophone, 4 Trumpets, 2 Trombones, Guitar, Piano, Bass, Drums. Swing. Medium Difficult. Score and parts. Published by Jazz Lines Publications. JL.JLP-8206. In 1941, Benny Goodman led the second of his great ensembles. Only Teddy Wilson, Irving Goodman, and arranger Jimmy Mundy remained from the 1935-39 band that jump-started the swing era of popular music. This band still played the music of Fletcher Henderson, but Eddie Sauter was contributing a great deal to its musical personality. This band would also highlight the early work of pianist. arranger Mel Powell. Air Mail Special was originally titled Good Enough To Keep , which was recording session-speak for "This may not be the performance that we want to release to the public, but let's hold on to it just in case. " Many of these alternate performances were eventually released to the public, in many cases to the consternation of the musicians themselves, who didn't enjoy some of their lesser efforts being heard. Of course, some alternate performances are better than the ones that were released, only held back because of a single mistake. It was Mundy who arranged this for the Goodman band, and he is even cut in on composer credit, a generous gesture on Benny's part, who also took a piece for himself. As we know, the tune was the sole creation of guitarist Charlie Christian, who wrote a number of pieces that Goodman played mostly in small-group settings. Mundy also arranged this for Count Basie and Harry James, and played it when he led his own big band in 1946. Please note that this is the complete arrangement from the original parts in the Benny Goodman library. Some sections were cut by Goodman, but restored here. Mundy makes interesting use of stop-time in this arrangement, and these sections should get extra attention so that the band sounds like one person. This arrangement, like all of Goodman's arrangements, was meant to be danced to, so it really should not be played too fast.

Oversettelse

Air Mail Special av Benny Goodman. Redigert av Jeffrey Sultanof. Arrangert av Jimmy Mundy. For storband. Solo klarinett, 2 Alto saksofon, 2 Tenor saksofon, baryton saksofon, fire trompeter, to tromboner, gitar, piano, bass, trommer. Swing. Middels Vanskelig. Resultat og deler. Publisert av Jazz Lines Publikasjoner. JL.JLP-8206. I 1941 ledet Benny Goodman den andre av hans store ensembler. Bare Teddy Wilson, Irving Goodman, og arrangør Jimmy Mundy forble fra 1935-1939 band som hoppe-startet swing æra av populærmusikk. Dette bandet fortsatt spilles musikken av Fletcher Henderson, men Eddie Sauter ble bidra en god del av sin musikalske personlighet. Dette bandet vil også fremheve den tidlige arbeidet med pianist. arrangør Mel Powell. Air Mail Special ble opprinnelig tittelen God nok til å holde, som ble innspillingen session-tale for "Dette kan ikke være den ytelse som vi ønsker å slippe til publikum, men la oss holde på det i tilfelle. "Mange av disse alternative forestillinger ble til slutt sluppet til publikum, i mange tilfeller å forskrekkelse av musikerne selv, som ikke liker noen av sine mindre innsats blir hørt. Selvfølgelig, noen alternative forestillinger er bedre enn de som ble løslatt, bare holdt tilbake på grunn av en enkelt feil. Det var Mundy som ordnet dette for Goodman bandet, og han er selv kuttet inn på komponist kreditt, en sjenerøs gest på Bennys del, som også tok et stykke for seg selv. Som vi vet, var det tune den eneste etableringen av gitarist Charlie Christian, som skrev en rekke brikker som Goodman spilte for det meste i små-gruppe innstillinger. Mundy også ordnet dette for Count Basie og Harry James, og spilte det da han ledet sitt eget storband i 1946. Vær oppmerksom på at dette er den komplette arrangement fra de originale delene i Benny Goodman biblioteket. Noen deler ble kuttet med Goodman, men restaurert her. Mundy gjør nytte av å bruke stopp-tid i dette arrangement, og disse delene skal få ekstra oppmerksomhet, slik at bandet høres en person. Denne ordningen, som alle Goodman ordninger, var ment å bli danset til, så det bør ikke spilles for fort.