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Original

Concerto for Alto Saxophone and Wind Ensemble. David Maslanka. Alto Saxophone sheet music. Piano sheet music.

Oversettelse

Konsert for altsaksofon og Wind Ensemble. David maslanka. Altsaksofon noter. Piano noter.

Original

Concerto for Alto Saxophone and Wind Ensemble. Piano Reduction. Composed by David Maslanka. For Solo Alto Saxophone, Piano reduction. Piano reduction. 68 pages. Duration 42 minutes. Published by Carl Fischer. CF.W2652. ISBN 9780825890239. David Maslanka's concerto for alto saxophone and wind ensemble in five movements was premiered in March of 2000 by the University of Arizona Symphonic Wind Ensemble, conducted by Gregg Hanson, conductor and featuring Joseph Lulloff, solo saxophone. From the composer. "This concerto turned out to be a good deal larger than I would reasonably want. As I got into the composing, the ideas became insistent. none of them would be left out. The format of 'Songs and Interludes' arises from my other recent works for saxophones. 'Mountain Roads' for saxophone quartet and 'Song Book' for alto saxophone and marimba. and suggests a music that is more intimate than symphonic. There is a strong spiritual overtone with quotes from Bach chorales, and from my own works 'Hell's Gate' and 'Mass. ' A story is hinted at which has the Crucifixion right smack in the middle – the climax of the third movement quotes the 'Crucifixus' from the 'Mass. ' I don't know what the story is, only that it wants to be music, and not words.

Oversettelse

Konsert for altsaksofon og Wind Ensemble. Piano Reduction. Komponert av David Maslanka. For Solo Alto Saxophone, Piano reduksjon. Piano reduksjon. 68 sider. Varighet 42 minutter. Publisert av Carl Fischer. CF.W2652. ISBN 9780825890239. David Maslanka sin konsert for altsaksofon og blåseensemble i fem bevegelser hadde premiere i mars 2000 ved University of Arizona Symphonic Wind Ensemble, dirigert av Gregg Hanson, dirigent og med Joseph Lulloff, solo saksofon. Fra komponist. "Denne konserten viste seg å være en god del større enn jeg ville rimelighet vil. Da jeg kom inn i komponering, ble ideene insisterende. ingen av dem ville bli utelatt. Formatet på 'Songs and Interludes' oppstår fra mine andre nyere verk for saksofoner. 'fjellveier "for saksofonkvartett og" Song Book' for altsaksofon og marimba. og foreslår en musikk som er mer intimt enn symfonisk. Det er en sterk åndelig overtone med sitater fra Bach koral, og fra mine egne verk "Hells Gate» og «Mass. 'En historie er antydet som har korsfestelsen rett smellkyss i midten - klimaks av tredje sats siterer' Crucifixus "fra" Mass. «Jeg vet ikke hva historien er, bare at den ønsker å være musikk, og ikke ord.