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Original
Memento Mori -- An AIDS Requiem. James Adler. Choir sheet music.
Oversettelse
Memento Mori - En AIDS Requiem. James Adler. Choir noter.
Original
Memento Mori -- An AIDS Requiem. TTBB Chorus and Soloists. English, Hebrew, and Latin languages. Composed by James Adler. Choir Sacred. For Orchestra. Men's Choir. Choral Worship Cantata. Larger Works. Masterworks. Score. 20th Century. Masterwork. Sacred. 152 pages. Published by Alfred Music. AP.44274. ISBN 1470620243. 20th Century. Masterwork. Sacred. James Adler's Memento Mori. An AIDS Requiem is an oratorio for soloists, men's chorus, and orchestra. It is dedicated to those who have succumbed to AIDS. A 75-minute work in nine movements, Memento Mori combines traditional English, Hebrew, and Latin texts with original prose and poetry by Quentin Crisp, Philip Justin Smith, Denise Stokes, and Bill Weaver. Memento Mori was commissioned by the Atlanta Gay Men's Chorus. Of its 1996 world premiere in Atlanta, Derrick Henry. The Atlanta Journal-Constitution. wrote, "Employing an eclectic, predominately lyrical musical language, Adler writes for both chorus and orchestra with uncommon imagination.
Oversettelse
Memento Mori - En AIDS Requiem. TTBB Chorus and Soloists. English, Hebrew, and Latin languages. Composed by James Adler. Choir Sacred. For Orchestra. Menns Choir. Choral Worship Kantate. Større Works. Masterworks. Resultat. 20th Century. Mesterverk. Sacred. 152 sider. Publisert av Alfred Music. AP.44274. ISBN 1470620243. 20th Century. Mesterverk. Sacred. James Adler's Memento Mori. An AIDS Requiem is an oratorio for soloists, men's chorus, and orchestra. It is dedicated to those who have succumbed to AIDS. A 75-minute work in nine movements, Memento Mori combines traditional English, Hebrew, and Latin texts with original prose and poetry by Quentin Crisp, Philip Justin Smith, Denise Stokes, and Bill Weaver. Memento Mori was commissioned by the Atlanta Gay Men's Chorus. Of its 1996 world premiere in Atlanta, Derrick Henry. The Atlanta Journal-Constitution. wrote, "Employing an eclectic, predominately lyrical musical language, Adler writes for both chorus and orchestra with uncommon imagination.
