Noter

Original

Plaudite tympana à 54. Heinrich Biber. Orchestra. 2 string groups. 2 violins, 4 violas each. , 2 descant recorders, treble and tenor recorders, 2 oboes, 2 clarini, 2 cornetti, 3 trombones, 2 trumpet groups. 4 trumpets, timpani each. , 2 organs, continuo. Sacred , Motet , Hymn. Language. Latin. SSAATTBB–SSAATTBB.

Oversettelse

Plaudite tympana à 54. Heinrich Biber. Orkester. 2 streng grupper. 2 fioliner, 4 Violas hver. , 2 descant recorders, treble and tenor recorders, 2 oboes, 2 clarini, 2 cornetti, 3 trombones, 2 trumpet groups. 4 trompeter, pauker hver. , To organer, kontinuerlig. Hellig, Motet, Hymn. Språk. Latin. SSAATTBB–SSAATTBB.

Original

This motet is a hymn accompanying the Missa Salisburgensis , composed by Biber in 1682 for the 1100th anniversary of the founding of the archbishopric of Salzburg by Saint Rupert. The vocal and instrumental forces comprise 16 solo and ripieno voice parts, and at least 38 instruments. the continuo is assumed to include a bass viol amongst other bass instruments, and possibly another keyboard instrument in addition to the two organs. In this motet, only the second bass of the second choir lacks a designated solo part. The score survives as a manuscript inscribed on massive 80 centimetre tall pages. From the time of its rediscovery in the late 19th century the work was attributed to the early 17th century composer Orazio Benevoli. who would have been 23 years old at the assumed date of composition. , or the later Salzburg composer Andreas Hofer, however the noted Biber scholar Ernst Hintermaier showed in the 1970s that Biber is the only possible composer of the work.

Oversettelse

This motet is a hymn accompanying the Missa Salisburgensis , composed by Biber in 1682 for the 1100th anniversary of the founding of the archbishopric of Salzburg by Saint Rupert. Den vokale og instrumentale krefter omfatter 16 solo og ripieno tale deler, og minst 38 instrumenter. continuo'et antas å omfatte en bass viol blant andre bassinstrumenter, og eventuelt et annet tastaturinstrument i tillegg til de to organer. In this motet, only the second bass of the second choir lacks a designated solo part. Stillingen overlever som et manuskript innskrevet på massive 80 centimeter høye sider. Fra tidspunktet for gjenoppdagelse i slutten av det 19. århundre arbeidet ble tilskrevet tidlig 17. århundre komponist Orazio Benevoli. som ville ha vært 23 år gammel på den antatt dato for komposisjon. Eller senere Salzburg komponist Andreas Hofer, men bemerket Biber lærd Ernst Hintermaier viste i 1970 at Biber er den eneste mulige komponist av arbeidet.